glass skin

InnerLlandscapes Dance Theater works by:  Nomi Bachar with Jessica Moss & Joan Suval, Carol Knopf, Marija Krtolica, Heidi Miller with Milton Miller, Kathryn Sullivan, Kirstin E. Williams additional performers:  Ann Berman, Katherine Davis, Theresa Duhon, Lynne Halliday, Riko Hase, Jennifer Kjos, Ann Owen, Paula Plessas, Kerry Ring, Joanna Rotkin, Amber Smith, Renee Smith, Yukiko Sumiya, Frances Taylor, Mary Wadkins, Lisa Wright. lighting design:   Anky Frilles graphic design:  Doug Barron RAW THEATER SPACE 529 West 42nd St. (10th/11 Ave.) DEC. 2-4 • THUR-SAT • 8PM & DEC. 5 • SUN • 7PM • 2000 Tickets $12 • TDF vouchers RESERVATIONS 212.472.0297

Assisted by Dance Theater Workshop

program

Illusion
choreography: Kathryn Sullivan
music: Hildegard Von Bingen, original composition by: Richard Souther
A young woman contemplates her self-image with disdain, decided to transform herself, only to find dissatisfaction in what she has done.

Call to Passion
a spiritual evocation of Joan of Arc
choreography: Carol Knopf
music: Sheila Chandra, Holly Near & Johannes Brahms
artwork: Anne Burns, costumes & props: Carol Knopf.
This work was created during the Artward Bound choreographic residence (organized and sponsored by the Field) at the Workspace for Choreographers-choreographic residency of Sally Nash, in summer 1999.

The Turbulence in the Transparent World

choreography: Marija Krtolica
music: Ivan Despic (Pizzicato).

At Stake The Witch Hunts Remembered

choreography: Kirstin E. Williams
music: Dead Can Dance & Tibetan Monks, arrangement: Kirstin E. Williams.

A Comedy of Everyday Life

written by: Milton Miller
adapted & choreographed by: Heidi Miller
music: Huun-Huur-Tu, King Oliver and sound effects
set: Evan Kovacs, costume consultant: Pamela Scofield.

This work was made possible in part by generous gifts from: Alice & Denis Berger, Phillip Davis, Beatrice & Hans Frank, Dr. Elaine Gould, Bea & Bearnard Jacoby, Terese Keane & Otho Eskin, Diane & Bill Liebman, Annette L. Miller, Darline & Milton Miller, Mrs. Phyllis K. Miller, Dr. Peter B. Neubauer, Dan & Dalia Riesel, Barbara & Jason Spender.

Mary Magdalene

When Jesus rose early on that first day of the week, he appeared first of all to Mary of Magdala, from whom he had driven out seven evil spirits. — Mark, Chapter 16th, New Testament
conceived & performed by: Nomi Bachar
text by: Kahlil Gibran
choreographed & directed by: Nomi Bachar & Jessica Moss
music: excerpts from "Passion" by: Peter Gabriel, sound design: Paul Fejko
costume & set: Jennifer Bright-Bill.

Simply Benched

choreography: Kathryn Sullivan
A playful romp of self absorption in one's self-made depression.

Femme Debout

choreography: Kathryn Sullivan
music: Anne Martin.
A woman caught in a dilemma, unable to act, struggles to set herself free.

Corporate Canopy

choreography: Kirstin E. Williams.

9-5 (with a 3 Hour Commute)

choreographed & written by: Kirstin E. Williams & Dancers
original music score by: Dylan Bolles.

photos by Ellen Crane.

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